
five more voices

~ five writers, each issue ~
generations of West Virginia creative writing

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Reece Null
18 years old, with a passion for writing
​​
“He’s been soaked in this
since he was young.”
Reece Null never really “decided” to learn how to tell stories and write. He just
always did it, his family says. “Reece was making up stories before he could write them,” his older sister Ryann said.


Ms. Dillon ticks off books Reece read in her class: Exposure, Riding on Comets, How the Word Passed, One Flew Ofer the Cuckoo's Nest.

Reece was five when he and Ryann met, when their families combined. First thing she showed him were her drawings. “She was, like, ‘I’m drawing my characters, and here’s what they’re saying and doing.’” Reece wasn’t quite sure what ‘characters’ were at that age, but “It looked like fun to me, so I said, ‘Teach me! Teach me how to do that!’”
“He's been soaked in this since he was young,” said Marissa Dillon, one of his Huntington High School teachers. “He’s been surrounded by creativity and words and writing, and now that defines him.”
​
Their mother remembers. “When they were little, with little tiny notebooks for writing stories, they’d get down there and put on little plays. They call it ‘putting up a play.’ “Reece and cousin Lilly and others, they’d say, “Come on, come on, come on! We’re going to put up a play! From the youngest age, it was just a thing they did.”
​
“We’d plan out what we wanted to happen,” Reece remembers. “Then we’d decide who’d be which character and what the conflict was and all of that. Then we’d act it out! For ourselves, not for the grownups.”
​
Since 2013, they’ve live in a frame house on a steep hill, with lots of nooks and crannies inside. “Lots of times,” Sheanna said, “the kids’d gather round our little dining room table, and I’d get out lots of art materials and spread them out where the kids could reach them and they’d draw their characters doing things, then make up stories about them.”
​
“There were papers everywhere on the table,” Reece said. “And markers and drawing stuff. And we’d be talking about the characters that we’re drawing, like, this is who they are and how they act and what they’re doing. We’d make little balloons with words coming out of their mouths.”
​
The art supplies made budgeting sense, Sheanna said. “In summer, having four kids, it’s too expensive to go to a public pool every day. I decided it made sense to just buy a bunch of art supplies so they could stay busy with that!”
​
While the kids played with art materials, Sheanna was often busy in the kitchen. Her refrigerator is still plastered with pictures and papers related to the kids. She’s been the encourager,” Reece said. “She clearly enjoys seeing us do it. And seeing what we come up with.”
​
“This table is the heart of our family,” Sheanna said during a recent visit, smoothing the tablecloth on the dining room table. “Lots of good memories here.”
​
He had some great teachers.
​
By the time Reece hit Huntington High School, he had a novel in progress and was generating short stories and poetry. “I keep a big folder of stuff that I keep reworking.”
​
He writes from a teenage perspective. “I don’t want to write about things I don’t know about,” he says. “So I need to get out and keep living. You know? Get life experience, so I can write better stories.”
​
Kayla Dyer was his sophomore English teacher. “I don’t think he knows how good his writing already is,” she said. “He’s all about ‘I can’t wait to grow, I can’t wait to get better.’ He’s “one of those kids who are quietly confident,” she said. “He never shows off or talks over top of another student.”
​
“During the last two summers, when school wasn’t in session, Reece asked Mrs. Dyer if she had time to read some stories. “He’d email me, and say, ‘I reworked this chapter. Can you read it when you get a chance?’ Never expecting me to read it right away. I told him, ‘I genuinely am excited when you send me work to read. I'm
genuinely interested in helping you grow."
​
​​​​His junior year English class teacher, Marissa Dillon,
helps him on her own time too. “His writing amazed me when I first saw it. He sent me a story to give feedback. And I thought ‘Oh wow! This is like professional-level work!’” She gives him advice about publishing.
​
Ms. Dillon teaches students to analyze the way writers build their arguments. “I learned a lot from her about
how to be a good reader,” Reece said. “I see that a big part of learning to write is learning to be a good reader, so you can see how people wrote their books.”
​
​​“When I read other people’s books," Reece said,
"sometimes I’m wondering, “Is that really what they
meant to write when they started out? Like in The Grapes of Wrath. Did he go into it thinking he was going to write
a book people would be thinking about almost a hundred years later? I don’t think he did. It’s one of those things that you write, and you write, and then you get to the
end, and you realize what you’ve done.”
​
Homegrown support system
Older sister Ryann is 20 now, going to Marshall in pharmacy school, living at home, writing her own stories. She and Reece still trade stories. “Having people who can read your stuff and give back good critique is the way to go,” Reece said.
​
“Lots of times, I’ll be on one couch, and Reece is on the other,” Ryann said. “Dad’s watching football, and Reece and I are sending each other computer files to edit or critique.”
​​
​
​
“I’ll write a scene, and she looks at it,” Reece said. “Then she’s like “OK. Now read mine!” We’re like, ‘Can you see where these characters are fitting in the scene? Is it clear where this is heading?’ Or ‘are you getting the plot of this?’”
​
He knows how lucky he is to have this. So does Ryann.
One day a week, Reece works at Tudor’s Biscuit World at the cash register. “My co-workers tell a lot of stories. Sometimes I think, 'That would be a fun story to tell.'" And sometimes he writes it down. "But I gotta think of a way to repurpose it. Or just use it for inspiration. Because I don’t want to just steal people’s stories, the way they are.”
This past summer, he went to Ironwood, a Kentucky camp for young writers. “It was great! It was the first time I’d been with so many people my age who love to write as much as I do.”
He’s thinking ahead, taking several honors classes, serving as speech captain of Huntington High’s speech and debate team. He’ll be applying to colleges soon.
Reece knows he wants to write, but he’s not sure he wants to write fulltime. “I gotta have space for living.” Lots of questions to answer. One question: Where to go? “I really like where I live and I like West Virginia, and I don’t want to leave, but on the other hand, I kinda have to get out in the world and do other things, so I can have that inspiration to write, get the lived experience.”
For now, he’s satisfied writing from a teenage perspective. “I don’t think it’s the way to go, to write about things that you haven’t personally lived through. Wherever I am, I want to get out and keep living. You know? So I can write more convincing stories and maybe someday even some important ones.” ​ ​​

They talk books when they meet in the halls
Reece says he's learned a lot about writing in high school.
.​​
-
It works better for me when I start with an outline written down, instead of trying to
write by the seat of my pants.
* I've learned my characters can grow as I write. They can gain their own complexities. They have their own things they want to do.
​​
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Sometimes you’ll get an idea different from what you planned, but maybe it’s better. So you’ve got to be flexible too, and you gotta at least have an idea of where it’s going, before you start.
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Symbolism in writing, that’s so cool, to think that
someone can say something without making a really explicit statement. You can write about a bird, but it can mean, like, about freedom. Or escaping! There are so many ways to go about saying what you want to say.
-
You don’t need a bunch of crazy stuff happening all the time for a good story. I think if content is going to be sensitive, it needs to have a purpose, not just excessive violence or drama for no reason. You know? A story doesn’t have to be good just because it has those parts about it that are sensitive. The shock factor,
​​
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Characters need to have multiple aspects to their personality because real people aren’t all good or all bad. That’s how you make a round character.
​​
We're looking for talented young WV writers to spotlight.
Do you know a young West Virginian who has
loved to write for years and produces high quality work? Let us know!
We would like to talk with the young writer's teacher(s) before contacting the writer, so if you can, include the name and contact info for at least one teacher.
​
Contact us at: voicesofwestvirginia@gmail.com
led into my neighborhood when my foot slipped from its pedal. I jerked it up, my laces snapping. I couldn’t regain control of the handlebars. Tires whining and breath rattling, I swerved then tumbled to the concrete. Lying on my back, I stared up at the sky, gasping for air.
It was a beautiful day. The maple trees, a deep red and the air pleasant. My bike was cast off a few feet away, scratched up and lying on its side. The back tire spun with a slow tick, tick,
ticking.
Weakly, I sat up, gravel digging into pulpy palms. My bare knees trickled crimson, black dirt embedded into the gashes. A car whizzed by, the driver not giving a second look. Tears sprang into my eyes. I was only seven.
I limped back home, wheeling my bike at my side, blood draining down my shins, leaving small droplets on the ground. When I came into view of my house, daylight was beginning to fade.
I called to Alyssa, who was drawing with chalk in the driveway. She looked up, then jumped to her feet. Her pony tail wagged as she ran toward me, I let my bike tip over into the neighbor's lawn. She lifted my arm over her shoulders and wiped the tears off my face.
When we walked inside, Buster, our brown mutt, licked my knee. Letting out a disgusted gasp, Alyssa swatted at his nose then used her cheerleader voice to yell for our parents. My mother ran in first, wearing her kitchen apron. “Oh no,” she cooed. “It’s okay. You’re alright now. Just go sit down in the bathroom, and I’ll get your dad.”
That was the procedure for bike injuries: my too-squeamish mother sending me out of sight so my father could sterilize my road rash. So, off I limped to the bathroom.
In those times, my father usually worked in his office on the weekends. He edited the local newspaper, a job my mother always said he took too seriously. Once my blood had dried, he walked in with indentions on either side of his nose from his reading classes. “Wow,” he said, almost impressed, “you got pretty roughed up this time.”
I laughed, trying to act brave, but my stomach was turning sour. I dreaded the sting and burn of cleaning cuts. He opened the cabinet the way I envisioned a mad scientist would. He laid his
instruments on the side of the sink: a few rags, cotton balls, isopropyl alcohol, bandages, and mercurochrome—a bright red antiseptic that came in a small glass dropper.
I was sitting on the edge of the bathtub—his subject waiting to be disinfected. Rag in hand, he bent down and began to gently scrub the wounds. As I squirmed, he held my legs in place. His brow crinkled. “Stop whining,” he said flatly. I set my teeth at the grotesque squelch the rag made as it mashed into my skin. Once he was satisfied, he threw the rag into the sink and reached for the alcohol.
I stood up. “Dad, wait.”
He looked down at me, his head lowered as if he were looking over the top of his reading glasses. “It will only hurt for a second,” he said, voice leveled, “sit down.”
​
Afraid of what would happen if I protested, I obeyed. He tipped the glass bottle upside down, the alcohol soaking the new rag. Then he bent down. I held my breath, and watched, wide-eyed as the rag inched closer. There was a rush of sparks, then the bite of his hand clamped against my shin. When I began to cry, he sighed through his nose. “Stop being a girl,” he said.
​
October 13th, 1962, a week later
I trudged down the steps, my feet heavy from sleep. At the end of the staircase, I took a breath, breathing in the sweet, coffee-smelling air. From this alone, I knew my father was awake and downstairs. When I walked into the living room, he was sitting
in his recliner, doing the crossword.
He heard me dragging my feet against the carpet, then looked
up from over his glasses. “What are you doing up this early on a Saturday?” he asked, not surprised, more just irritated that I
had interrupted his morning ritual.
“I don’t know,” I said, still not all there. As I sat down on the couch, he didn’t respond. Instead, he clicked his tongue and focused on his puzzle. I sat, slowly gathering my wits. I’m not
sure what I did after that, probably just stared, studying my father as he thought, taking sips of coffee between scribbling down words.
“Dad, why don’t we ever see your parents?” I asked, breaking his silence. I don’t remember why I thought to ask. I guess I was at the age when you begin to ask serious questions.
He dropped the newspaper on his lap then took off his readers. “Well,” he began, with a serious face, “when I was a boy, my parents weren’t good to me. So, when I was old enough, I
ran away.”
I looked down at my feet, not sure what to think. “Did you ever talk to them again?” I asked, wondering if there was a chance I’d ever meet them.
“No,” he said with a sad smile.
“What were they like?”
He didn’t answer right away. He sat back in his chair, his eyebrows furrowed with thought. Finally, he looked back at me, eyeing me over as if trying to decide something. “They
didn’t do the things parents are supposed to do,” he began. “They wouldn’t feed me enough and they’d beat me just for the hell of it,” he said, his voice surprisingly level. I felt my mouth fall
open as I sat back against the couch, scared as I imagined my father as a boy about my age, his parents larger-than-life villains.
He must have seen the look on my face. He leaned
forwards in his recliner. “But, you don’t have to worry about anything like that,” he reassured me.
​
October 14th, 1962, the next day
My mother’s fingers dug into my arm as she frantically hurried down the hospital hallway. I was at her side, on the verge of breaking into a run. Looking up, I watched the sterile, overhead lights blur past. Small flecks of light swam in my eyes as I sat down in the waiting room chair.
My mother was talking to a man I had seen in passing a few times, my father’s colleague. “What happened?” I heard her whisper as they stood waiting at the front desk. She was blinking
back tears as the man spoke with a wrinkled brow.
I stared down at my scabbed knees, my feet swinging above the ground as I waited, the tacky leather of the chair sticking to the back of my legs. Earlier that morning, my father had stopped by his office for a few hours, something that wasn’t unusual for him to do over the weekends. Then the phone call came. Alyssa and I were sitting on the living room floor playing a game of jacks when we heard the phone ring. Our mother answered, and within seconds we were rushing out the door.
I stared at the man, trying to piece the story together. If he had arrived at the hospital before us, he must have checked my father in. But what was wrong with him? Eventually, my mother made her way to the desk. After a brief conversation, the attendant handed her a clipboard full of paperwork. Still whispering to each other, together my mother and the man sat down, skipping a few chairs between Alyssa and I.
I don’t remember feeling worried at first. After all, I had rarely ever seen my father sick. However, as I caught snippets of my mother’s conversation, and watched Alyssa’s expression
grow increasingly distressed, I began to feel something was being kept secret.
I stood up and walked over to my mother and the man, Alyssa trailing behind me. They stopped talking. “What’s wrong with Dad?” I asked, staring down at the hem of my mother’s
polka-dotted dress.
She licked her lips and glanced at the man, constructing a response. “While your dad was at work, he got hurt, so Jerry took him here. Now he’s in surgery, so the doctors can fix him.”
“Hurt how?” Alyssa asked.
She hesitated, looking at Jerry again. “We don’t know right now. I don’t want you guys to worry. It’s going to be okay. We’re just going to wait until your dad is out of surgery, and then we can go see him.”
I still had a dozen questions to ask, but I knew my mother didn’t like it when I asked questions.
​
July 22nd, 1972, ten years later
I was sitting at my desk, trying to read. My eyelids clicked as I slowly blinked at the words on the page. They blinked back—inky black letters disappearing and reappearing as my vision grew fuzzy. I hadn’t slept the previous night. Guiltily, I decided to give in and take a nap.
Rising from my desk chair, I flopped on my bed. Almost as soon as my head hit the pillow, I began to dream.
I was sitting in a hospital cafeteria, watching as a line of people pushed their trays down the counter, servers in white aprons ladling out globs of food. Though it was a dream, I knew I
had been there before. I looked down at my own tray. In the center was a blob of a grayish-looking soup. stirred it with my spoon, slimy chunks of meat and strands of hair swirling in the middle.
​
"Will, eat your food," a voice to my side said. I looked over. My​
mother was sitting beside me, smoothing out the skirt of her polka-dotted dress. I swallowed the spit in my mouth and
ignored her, grossed out. Maybe she wouldn’t ask again. I
watched as she laid her makeup out on the tabletop, and then
as she applied a red lipstick. I laid down my spoon. This isn’t what really happened, I thought.
.
Suddenly, I was back in the waiting room chair. Music boomed from an old gramophone in the corner, but I couldn’t understand the lyrics. Alyssa was sitting next to me. “Where’s Dad?” I asked. I stared at her, but she wouldn’t look at me.
The music became louder. I covered my ears. Suddenly, a nurse came out into the waiting room. The music stopped.
​
“McClain?” she said, as she looked around, waiting for someone to stand up. We all rose to our feet at the same time, following the nurse down the hallway. As we walked, I glanced into the hospital rooms. Every room was the same. Every room was empty. At last, we came to a closed door. The nurse pulled it open, her skinny arm seeming to strain against its weight.
​
From his bed, my father smiled at us as we stood in the doorway. He wore a white bandage wrapped around his head, but
otherwise, it was as though nothing had happened. I ran inside and gave him a hug.
​“Can you come home now?” I asked.​
“No, I have to stay here,” he said with a somber smile. “I’m sorry.”I nodded. A small patch of blood began to bleed through his bandage. Alyssa frowned and pointed. “Dad, you’re bleeding.”
He squeezed my hand before letting go. “I’m okay. You don’t have to worry about me.”
My mom put her hand on my shoulder. “Let’s go, you two,” she said to us.
“What?” I asked, looking up. We had just got there.
“It’s time to go,” my father said. When I looked back at him, his bandage was soaked with blood.
“No!” I cried. My mother had her hand wrapped around my wrist. She was dragging me out of the room. I caught a final glimpse of my father, blood running down his forehead, face white as he fell back onto his pillow, before I jolted awake.
Sitting up from the bed, I wiped my face, and reminded myself the dream wasn’t real, that none of that had actually happened.
In my last glimpse of my father, he is slipping out the front door on his way to work, the aneurysm ticking like a bomb, hidden inside his skull.
A story about Reece
How can a 18-year-old write this well at this age? We asked Reece, his family and his Huntington High School teachers. They
have good answers.
A story Reece wrote
This story is part of a novel-in-progress, but Reece also made it into a short story."
Last glimpse
by Reece Null
October 6, 1962
My shoelaces caught in my bike spokes.​​​
​I'd been speeding down the hill that ​​

Creative
Process




Five more voices editor Kate Long wrote the story and set up the page. She spent 35 years as a print and radio journalist, winning national awards in both.


